Rambling
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This post was originally published on my PhD blog: stay and make kin. There are definitely some salvageable insights in Peters’ Philosophy of improvisation (2009), and I will do my best to tease them out over time. I’m also aware that a lot of this will take a fair bit of thinking and engaging with some
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This is a bit out of character for a blog that is mostly talking about my own music practices, but I’m so dang excited about this that I was inspired to get a few thoughts down. Please note that in the great tradition of blogging this is rapidly written and fairly poorly cited, throwing a
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I am a classical flutist by training. How did I go from traditional orchestral ambitions to having such an interest in the anarchic self-expression of free improvisation? (A word of warning… Despite my ambitions to keep this story fairly straightforward, this has somewhat turned into an entire autobiographical ramble. I have decided for the time
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When I wrote my previous post on beginning the process of learning Chris Dench’s alto flute solo Gelb : Violett I had been struck by a few key things that I felt I needed to say. Now, a few days later – and the first time I’ve really had the chance to work much at this
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Last week I attended a lecture as part of a master seminar series at HoGent, run by the quite incredible Lukas Pairon, entitled ‘The Philosophy of Enthusiasm’. The series has seen artists from many diverse fields giving talks on finding their passion, sticking with it, and turning it into a successful career, including all the
han reardon-smith 